The Liquidation of the Ghetto

I have received a number of essays on Schindler’s List that discuss the liquidation of the ghetto. Although there are a number of masterful scenes in the film, the razing of the Jewish ghetto, where our attention is drawn to a little girl in a red coat has made a strong impression on many of you. The scene embodies the savagery of the Holocaust and the humanity of its victims, and it is the single most riveting sequence in the film for many viewers.

The cleansing of the Jewish ghetto in Krakow, took place in March 1943. The most active character in this sequence is Amon Goeth and he is contrasted with Schindler, who observes what is happening from a hill outside the city. Goeth thinks he is making history, but it is Schindler who is completely changed by what he sees – who is remembered today. We have discussed at length why this is a turning point in the film so make sure to add detailed support to any answer that focuses on this episode.

The sequence opens with images of Goeth and Schindler shaving, as they prepare for the day. Why are the characters presented like this? This is followed by a voice-over of Goeth’s speech as he tries to inspire his men. We see Schindler on horseback looking down on the city, followed by a series of scenes in which the Jews try to save themselves. A family takes out its jewels, places them in slices of bread and each member swallows some to try and save their valuables. A man hides in a sewer but has to leave as the Germans have discovered this hiding place. A young boy runs from the soldiers and is shot, as is a man who tries to help him. A doctor takes poison from a pharmacy to kill his patients to spare them pain before the Nazis can shoot them. A Jewish boy, working for the Nazis, risks his life to help a woman and her daughter into the “good line”.

As Schindler looks down he notices a little girl, picked out by the camera in her red coat, who wanders freely amongst the chaos. It is a very poignant moment in the film especially as the soundtrack mixes Jewish choral singing with faint gunfire. Later in the day, many Jews who think they have escaped discovery emerge – only to be found by the Germans and shot. One man is discovered as he steps onto a piano keyboard and while the soldiers kill more of the Jews, an officer sits at the piano, playing Mozart.

Things to consider:

  • Spielberg’s comparison and contrasting of Schindler and Goeth – they start the day in a similar way (half-dressed, they show their common humanity) but when Goeth puts on his uniform he is more obviously a Nazi. What does Spielberg want us to take from this parallel?
  • Goeth’s speech to his men – this has echoes of familiar heroic and patriotic speeches, but what he is about to do is wrong and inhumane. Goeth’s speech intensifies our feelings about just how evil the Nazi regime was.
  • The use of English and German dialogue – Goeth’s speech is in English, while elsewhere in this sequence the soldiers speak in German. Why has Spielberg done this?
  • Note how the Jews are presented – we see images of family and community; note how the Nazis treat them and how the Jews try to save themselves.
  • We see powerful and moving images – the family swallowing their jewels, the doctor’s mercy killing, how families are split apart. A key moment is when the mother and daughter are shown the “good line”.
  • There are many images of brutality – repeated images of Jews being shot.
  • Note the randomness of the killings – we can see no reason why some of the Jews are shot and others are not.
  • Contrast – note how we see soldiers kill without pity, but we are shown that they enjoy music and can tell Mozart from Bach. They are educated and can appreciate music. What point do you think Spielberg is making?
  • Music and sound effects – the soundtrack is very effective especially the use of the Jewish choir and the piano playing, mixed with sounds of gunfire.

The most important detail in this sequence for many of you is the girl in the red coat. For Schindler, she seems to suggests the idea that escape is possible, this is a turning point for Schindler as it appears that by watching her, he sees what he must do for his Jewish workers.

In your essays comment on how Spielberg uses the image of the girl in red. Try to refer to some of the following things:

  • Cinematography – filmed in black and white but here with a colour insert; how, and why, the girl is out of focus when we see her at first, and only comes into focus when the colour is removed.
  • Composition of shots – note how the eye is drawn to the girl, while elsewhere on screen we see brutal killings depicted. Why?
  • Effect on the audience – think about how we share Schindler’s interest and concern for this girl, and how she seems at first protected from the dangers around her. What is Spielberg wanting us to understand?

The Night Club Scene

In this link to a discussion of Schindler’s List, there is an analysis of the nightclub scene at the beginning of Schindler’s List . The author of the analysis feels that the scene serves many purposes, such as introducing Schindler’s name, face and Nazi SS contacts. In just over five minutes, it shows how Schindler successfully integrates himself into the Krakow military circle from being an unknown. It exposits the movie’s wartime setting and the attitude of the Nazis. It shows Schindler’s influential charisma and money. And it does all this with little dialogue, instead using composition, lighting, music, and other cinematic elements to understate the character.

Example of a Poetry Essay

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If you studied the poetry of Wilfred Owen this year you may be interested in reading the following essay. It was written in an exam and it focuses on the poems Dulce et Decorum est, Disabled and Anthem for Doomed Youth. It would also be beneficial for those students who are studying Seamus Heaney to read this as it is an example of a strong poetry essay.

Write a detailed account of how your studied texts interested you by their choice and/or use of words and phrases.

In “Dulce et Decorum est”, Wilfred Owen uses graphic verbs and innovative descriptions to describe the absolute pity of war, to try and convince his original readers of wars futility.

Owen continues in this vein in “Disabled”, by using simple statements and blatant understatements to create an image of a young man, destroyed by war. In “Anthem for Doomed Youth”, Owen shares his philosophy on the blindness of his culture to the horrific deaths young men faced during the war by rhetorical questions, and bold controversial statements. All these features of Owen’s poetry fascinated me, because it showed just how Owen had put his mind, heart and soul into convincing his unbelieving country that the war was an evil, soul destroying scar on the history of man.

In Dulce et Decorum est, Owen begins by describing young soldiers who are “knock- kneed” and “coughing like hags”. Owen completely destroys the clichéd image of young sprightly soldiers representing the epitome of upright masculinity, and replaces them with a sorry image of prematurely aged young men who are now completely physically derelict.

Owen carrys on to attack any preconceptions of war being a “walk in the park”. The use of explicit verbs such as “guttering , choking, drowning” present the readers with an alternative reality of pain and suffering, only found in the blood stained pits of war. The reader now, after only the first stanza, is confronted with the forcefulness of Owen’s ideas and is taken aback, yet enthralled with these blood-chillingly, almost unreal, images. These descriptions made me realise just how oblivious “the people back home” must have been to the wars utter tragicness, if Owen felt so compelled to create such profound work.

In “Disabled”, Owen also uses “shock-tactics” to convey his urgent ideals. The phrase “legless, sewn short at elbow” uses a blantant understatement to describe the remains of a young man’s body, in a short, simple and abrupt sentence. The fact the Owen vividly described his whole body in one sentence, and leaves the reader with a pitiful, war-torn image as well, emphasises his skill and prowess at conveying his compelling ideals.

The line, “he lost his colour, far away from here”, shows Owen’s ability to give his message in a non conventional manner. The words “he lost his colour” immedietly bring an image to mind of blood slowly draining out from the young man, as he begins to pale, and then the words “far away from here”, place this deathly occurance into a muddy hole, and make the reader feel the man’s loneliness that he felt while suffering this fate. Owen’s ability to bring you into the poem and see and experience the horrors he unfolds, made me feel helpless, to just imagine, although his intended readers would have had more ability to act on this knowledge and would have been compelled to do so, if they felt the horror and disbelief I experienced.

In “Anthem for Doomed Youth”, I felt that Owen had a real sense of the events around him and that he had come to conclusions of his own concerning the war and how this affected those back home. The line, “No mockeries for them, no prayers nor bells” shows Owens philosophy on the reality of peoples attitude to the war. The fact that Owen calls the prayers and bells, that occur for those who die, a mockery, shows his belief that the conventional rituals for the dead of war, simply made death into something soft and sombre, when in fact it was likely that the soldier died a horrible and painful death, and Owen is not afraid to speak out his views. This made me realise that Owen disregarded conventional methods and beliefs, and simply write what he felt needed to be said about the unnecessary destructiveness of war and about how blind the public was to this.

In all three of these poems Owen has used various techniques and methods to make his message clear and I feel that if I had been in his time, my view would have been changed. His un-conventional descriptions made me realise how strongly he felt about the war and how much he was determined to inform the people of the “truth”.

Level 2 Short Texts Questions

These questions are for the students who have studied Tim O’Brien and Seamus Heaney.

1. In what ways does the writer (or writers) you have studied make the reader aware of an important theme or themes?

2. Identify and discuss the effectiveness of three literary techniques which have been used in at least two short texts you have studied.

3. Discuss the importance of symbolism in TWO OR MORE short texts you have studied.

4. Discuss the methods of characterisation used in TWO OR MORE short texts you have studied.

5. What distinctive qualities most impressed you in the work of a writer you have studied this year?  Discuss with close reference to TWO OR MORE short texts you have studied.

6. Discuss the various ways the characters in the texts you have studied deal with an issue of significant conflict.

7. Compare and contrast the way two writers have approached a similar subject.


The Level Two Exam

The Level Two English exam is on Wednesday morning and although I am sure that you haven’t forgotten what is in the exam I will remind you anyway. If you are in 202 these are the papers that you will be sitting:

2.3 Analyse extended written text

This achievement standard involves previous reading and study of a novel and writing an analysis that shows understanding of ideas and techniques in the text.

2.5 Analyse a visual or oral text

This achievement standard involves previous viewing and study of a film and writing an analysis of aspects of the text.

2.6 Read unfamiliar texts and analyse the ideas and language features

This achievement standard requires close reading of a range of unfamiliar texts and analysing the ideas and language features.

You will be examined on at least one of the following text types:
written text, static visual text, and oral language text.

You will answer questions based on four texts: one transactional writing, one poetic writing (poem or descriptive prose), one verbal/visual (a static image such as an advertisement, poster, packaging, or cover), and one oral (transcript of a speech, drama script, or transcript of a conversation).

If you are in 201 you will sit these papers:

2.3 Analyse extended written text

This achievement standard involves previous reading and study of a novel and writing an analysis that shows understanding of ideas and techniques in the text.

2.4 Analyse short written texts

This achievement standard involves previous reading and study of at least two short stories or poems and writing an analysis that shows understanding of ideas and techniques in the texts.

2.5 Analyse a visual or oral text

This achievement standard involves previous viewing and study of a film and writing an analysis of aspects of the text.

Feedback on Kite Runner Essays

Thank you to the students who have sent me essays on The Kite Runner. I have enjoyed reading them and I thought I would share some of the ideas from the essays. It has been wonderful to note how many of you have really engaged with the text and made insightful comments.

I have paraphrased some of your ideas below:

  • A common thread in the essays is Baba’s role as a cause of Amir’s weakness of character. As he is such a dominant person he shapes people around him. If Baba truly lived by his definition of moral courage he would have been more open and this would have given Amir the strength to behave differently. Many of you saw Baba’s pride and his lack of honesty as a cause of Amir’s weaknesses. However, several of you have noted that Baba is a product of his environment and that Hosseini is suggesting that it is time for Afghanistan to move away from its past ways.
  • The ending was discussed in some essays. Is it a satisfying one? We know that Hassan is dead, he has lost close friends, his family is gone and he is childless. Is this a happy ending? However, if we look at things from another perspective we see that he has saved Sohrab and brought him to America and finally redeemed himself. Is it more true to life to have such an ambiguous ending? What we do know is that the final scene in the book is a reversal of Amir and Hassan’s kite flying days. Amir is now the kite runner for Sohrab. He is a good man. He has atoned. He has redemption.

Film Terminology for Visual Texts

I am reading a lot of essays on the visual texts at the moment and some of you are still confused about film terminology. I have added a brief guide below.

1. The parts of a film

Frame – a single picture

Shot – a strip of film

Scene – a series of shots

Sequence – several connected scenes

2. Transitions

Cut – rapid change from one shot to the next

Dissolve – gradual merging of shots

Fade In – shot emerging from darkness

Fade Out – one shot disappearing into darkness

3. Variations

Cut-Away – temporary diversion from main action

P.O.V. – point of view of a character

Montage – shots spliced together

Superimposition – one shot appears on top of another

4. Camera perspectives

LS – Long Shot of a distant object

MS – Medium Shot of an object in perspective

CU – Close Up, for example of a human face

BCU – Big Close Up, for example of a facial feature

5. Camera movement

Pan – horizontal movement

Tilt – vertical movement

Track – camera moves parallel to object

Dolly – camera moves either towards or away from the object being filmed

6. Audio Component

Speech – either dialogue between characters or the monologue of a single character

V.O. – voice off from someone unseen or descriptive commentary accompanying action

Sound Effects – noises connected with the action

Music – added to the visuals to produce an emotional impact

Go here for a very comprehensive list of film terms.

Real life Quidditch

Katie Stack has been enchanted with Harry Potter and his magical escapades since the fourth grade. She spent hours reading the series and reenacting the boy wizard’s adventures with her friends.

She is in college now, but Stack (CAS’11) continues to live out her childhood fantasies. She plays Quidditch, the international sport of the wizarding world, which has players zooming around on broomsticks and using balls to score points and knock one another off course.

The earthbound variation is called Muggle Quidditch. The sport originated in 2005 when a student at Middlebury College adapted the game for the nonmagical world. Its popularity quickly spread, and today more than 150 colleges throughout the United States have Quidditch teams.

Click here to see scenes from the Intercollegiate Quidditch World Cup and hear members of BU’s team describe the sport.

How to make the marker happy

Very soon you will be sitting your English exams, so how do you make the marker happy?

  • Handwriting needs to be clear. Write with a blue or black pen – leave the pink glitter one at home!
  • Appropriate style – formal writing is required.
  • Remember proper nouns have capitals.
  • Spell the title of the text correctly and get the author’s name right!
  • Use apostrophes correctly.
  • Use the correct booklet – that means write about the film in the visual text booklet and so on.
  • Have a clear introduction that sets the essay’s direction.
  • Choose a question that suits your text.
  • Don’t try and drop in a memorised essay and hope it fits!
  • Don’t just retell the plot.
  • Use paragraphs. Use them correctly.
  • Don’t use slang or text language. OMG PLSE!
  • Answer the question. ANSWER THE QUESTION!